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High dynamic range editing was a huge trend a few years ago when Adobe added a new functionality for its users. I can see this being useful for burning down background and creating a control point to drive attention to the subject. Expand them by striking “E.” Adjust the entire image by adding Levels and Curves. Basic adjustments start out with Brightness, Contrast, Saturation and Structure. From here, you can adjust the size of the area being affected by sliding the bar with the black dot. Click on Add Control Point to begin, or hold Shift + Command and strike “A.” Navigate your cursor to an area in the image you wish to specifically edit and click. This allows users to be selective with adjustments similar to Lightroom. A newer program utilizing this feature is Viveza 2. Local adjustments are called Control Points in the Nik Collection. Once you are satisfied, click “Ok” and, depending on your settings, a new layer is added for you to further mask the effect. On the left-hand adjustment panel, select “+” in the Custom section. Once you develop a solid tool collection, create a preset for later use.

From here, you can hover over a tool and click the “+” symbol. To add tools to this panel, click back on Classic Camera at the top on the left-hand panel and select Camera Kit at the bottom. Drop these tools down to tweak your image. On the right panel, you will notice specific tools have been added. On the left panel, start with Classic Camera (looks like waist-level camera) and select Classic Camera 3. Meaning the edges are usually soft and vignettes take effect. For this image, the subjects are close to the edge and may become problematic when working with many of the older analog effects. We can remove and add tools to suit the image. Start with the camera section and select the arrow on the right to begin with a preset.
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Customization is really useful here because there are a lot of effects that are not useful to a professional photographer. To give you a little background in the structure of this software, it is made up of individual tools listed here. Let’s take a step back and get a feel for the program before we get overwhelmed. Classic Camera is the default preset applied, and we can cycle through the other options. After opening this plugin, we are thrown right into the effects capabilities of this software. Last but not least, Dfine 2, Sharpener Pro 3: Raw Presharpener and Output Sharpener provide attention to detail.Īnalog Efex Pro 2 is exactly what it sounds like-and more. Color and Silver Efex Pro 4 give you a huge advantage for your daily workflow and your creative edge.

Analog Efex Pro 2, HDR Efex Pro 2 and Viveza 2 are all about creative effects. Let’s discuss them in groups based on their functionality. From the menu bar, choose Filter > Nik Collection to reveal all the plugins to choose from. Let’s skip Lightroom and move right into Photoshop.
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You get all the programs Nik offers as well as full capabilities in Aperture, Adobe Lightroom and Photoshop.

This includes Analog Efex Pro 2, Color Efex Pro 4, Dfine 2, HDR Efex Pro 2, Sharpener Pro 3: Raw Presharpener and Output Sharpener, Silver Efex Pro 4 and Viveza 2. After Google bought the software, I was worried it would become ancient history for Photoshop users. Silver Efex Pro has been my go-to effects plugin.

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I have been using the Nik software for what seems like forever. Shutter Magazine is the industry’s leading professional photography magazine.Īs a photographer and editor, it is always good to try out new plugin software to integrate into your workflow.
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Launch the March issue of the magazine by logging in or signing up for a free account by clicking here. Want more information on this article? Get access to video content and additional supporting images. Google That Sh*t: Working with Nik Collection in Photoshop with Dustin Lucas
